Evolution of Ci Poetry of the dynasties of Tang and Song in the perspective of dissociation and integration of Shi and Ci

WANG Zhaopeng

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Front. Lit. Stud. China ›› 2007, Vol. 1 ›› Issue (3) : 449-475. DOI: 10.1007/s11702-007-0021-7

Evolution of Ci Poetry of the dynasties of Tang and Song in the perspective of dissociation and integration of Shi and Ci

  • WANG Zhaopeng
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Abstract

The development of Chinese literary genres is largely a history of dissociation and integration. Ci and shi are closely associated at all times, separated at one time, and fused with each other at others. A brief survey of dissociation and integration of ci and shi falls into four periods: 1) starting from the early to the mid-late Tang Dynasty (Tang Chao Ug CE 618–907), when ci was derived from shi and no distinction existed between the two; 2) the late Tang Dynasty and the following Five Dynasties (Wu Dai N擭? CE 907–960), during which ci was separated and known from shi; 3) the Northern Song Dynasty (Bei Song S[? CE 960–1127), when ci developed and experienced a transform and took an initial inosculation into shi; and 4) the Southern Song Dynasty (Nan Song SW[? CE 1127–1279), when ci was shifted completely to shi (poetry) and the two were thoroughly merged.

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WANG Zhaopeng. Evolution of Ci Poetry of the dynasties of Tang and Song in the perspective of dissociation and integration of Shi and Ci. Front. Lit. Stud. China, 2007, 1(3): 449‒475 https://doi.org/10.1007/s11702-007-0021-7
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