Alternative New China Cinema: Hong Kong Leftist Cinema during the Cold War — A Discussion of the Hong Kong Leftist Film The True Story of Ah Q

Abstract

The paper discusses the 1957 Hong Kong film The True Story of Ah Q. As a Hong Kong leftist film, its plot and production process are relevant to understanding the political and cultural life of New China. However, Hong Kong leftist cinema played an important role in the reception of New China cinema overseas; it can only be understood within the context of political and cultural life in New China. This paper explores the complicated relations between Hong Kong leftist cinema, domestic socialist cinema, and Shanghai left-wing cinema in the 1930s. In addition, it discusses The True Story of Ah Q as a film with features that identify it with both Hong Kong leftist cinema and New China cinema. Thus, the film’s acceptibility is determined by the tensions between these two identifications.

Keywords

Hong Kong leftist cinema / Shanghai left-wing cinema / Socialist cinema / the cinema of new-democratic revolution / The True Story of Ah Q

RIGHTS & PERMISSIONS

Higher Education Press and Brill