Fredric Jameson’s “Third-World Literature” and “National Allegory”: A Defense
Qin Wang
Fredric Jameson’s “Third-World Literature” and “National Allegory”: A Defense
A controversial concept in reading “third-world literature,” Fredric Jameson’s “national allegory” has more often been refuted or approvingly appropriated than properly understood. Taking the “national allegory” as a convenient theoretical category describing the content of “third-world literature” misses Jameson’s underlying problematic, i.e. his concern about “third-world literature” as an immanent deconstructive force leading to the breaking down of chains of signification of capitalist culture. Insofar as the functional concept of the “national allegory” is concerned, one must read “nation” not as a term designating a substantial entity, but as an “allegory” in itself. To read “third-world literature” through the lens of a “national allegory” thus means to deterritorialize the third world from its substantial determinants in terms of traditional geo-politics. Rather, “third-world literature” in its deconstructive force is toward what Jean-Luc Nancy calls “the inoperative community.”
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