Who Are the Most Beautiful Women of China? —The “One Hundred Beauties” Genre in the Qing and Early Republican Eras*

Xiaorong Li

Front. Lit. Stud. China ›› 2013, Vol. 7 ›› Issue (4) : 617 -653.

PDF (2029KB)
Front. Lit. Stud. China ›› 2013, Vol. 7 ›› Issue (4) : 617 -653. DOI: 10.3868/s010-002-013-0039-5
research-article
research-article

Who Are the Most Beautiful Women of China? —The “One Hundred Beauties” Genre in the Qing and Early Republican Eras*

Author information +
History +
PDF (2029KB)

Abstract

Established in the late imperial era, “one hundred beauties” (baimei) genre selected and portrayed one hundred beautiful women in Chinese history often through three cultural artifacts: woodblock print portraits, biographies, and poems. This paper takes as its focus the anthology Gujin baimei tuyong 古今百美 图咏 (Illustrated biographies of and poems on one hundred beauties of the past and the present, 1917), which has not received scholarly attention before. Bringing together collections of old and new-style beauties, the anthology is a showcase of the genre straddling two centuries. The transformation of the genre, as reflected in the Gujin baimei tuyong, complicates a simplistic distinction between tradition and modernity while enriching our understanding of the changing representations of women.

Cite this article

Download citation ▾
Xiaorong Li. Who Are the Most Beautiful Women of China? —The “One Hundred Beauties” Genre in the Qing and Early Republican Eras*. Front. Lit. Stud. China, 2013, 7(4): 617-653 DOI:10.3868/s010-002-013-0039-5

登录浏览全文

4963

注册一个新账户 忘记密码

References

RIGHTS & PERMISSIONS

Higher Education Press and Brill

AI Summary AI Mindmap
PDF (2029KB)

1857

Accesses

0

Citation

Detail

Sections
Recommended

AI思维导图

/