Changes in the Foot Binding Culture: The Female Body and Politics in Regions Governed by the Communist Party of China during the Anti-Japanese War

Abstract

Since 1949, Chinese mainland historians and creators in film and television, novels, and reportage have continued to shape the heroic image of female groups in the base areas of the Communist Party of China (CPC) during the Anti-Japanese War. They participated in production, women’s mobilization, and reconstruction of the rural political order “like men.” They pursued the equality between men and women, marked by freedom of marriage, and also participated in regional guerrilla warfare to combat the Japanese puppet army “as men.” However, in the remote villages of north China at the end of the Qing dynasty and the beginning of the Republic of China, it was not common for women to unbind their feet. In wartime, most women over twenty years of age were forever left with the “three-inch golden lotus” (sancun jinlian) feet. The damage of the war accelerated their acceptance of the CPC’s emancipation concepts and policies and presented them with an opportunity to actively implement them. The experience of survival drastically changed traditional aesthetics, ideas, and customs related to women. Physical and psychological changes occurred as a result of the war; women began to go out of their homes to participate in the work of the Women’s Salvation Association and the Youth Salvation Association, and a group of women achieved marriage equality between men and women in the form of “divorce her husband” (qi xiu fu). Due to pressure, women carried more physical and mental responsibilities, faced insufficient advocacy for their rights, and the aesthetics and mentality of womanhood underwent change.

Keywords

foot binding / foot unbinding / “divorce her husband / ” rural women / north China base area / the Anti-Japanese War

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