Frontiers of Architectural Research >

2012 , Vol. 1 >Issue 3: 272 - 279

DOI: https://doi.org/10.1016/j.foar.2012.07.004

RESEARCH ARTICLE

Reyner Banham and modern design culture

  • Bagoes Wiryomartono
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  • Department of Architecture, Faculty of Built Environment, Universiti Teknologi Malaysia, UTM Skudai Campus, Johor Bahru 81310, Malaysia

Received date: 23 Mar 2012

Accepted date: 16 Jul 2012

Published date: 05 Sep 2012

Copyright

2014 This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
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Abstract

What is modernity in architecture? In English speaking world, the question is likely impossible to answer without considering the works of Peter Reyner Banham (1922-1988). Regardless of his polemist and disparaging style in his critical writings, this study argues that Banham offers a constructive renewal for the body of knowledge on history and theory of modernity in architectural design. Accordingly, he posits and disposes architectural profession with scientific and technological vision in the front line of struggle for environmental betterment. For him modernity in architecture comprises triad components: function, technology, and aesthetics by which historical milestones come into being. A study on Banham’s engagement with modernity is considerably necessary regarding his conviction that history of architecture happens as the consequence of interactions of technological innovations and design creativities, and in response to socioeconomic circumstances as well.

Key words： Banham; Architecture; Design; History; Modernity; Functionalism; Technology

Cite this article

Bagoes Wiryomartono . Reyner Banham and modern design culture[J]. Frontiers of Architectural Research, 2012 , 1(3) : 272 -279 . DOI: 10.1016/j.foar.2012.07.004

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