Phenomenology of rhythm in design

Chiu-Shui Chan

Front. Archit. Res. ›› 2012, Vol. 1 ›› Issue (3) : 253 -258.

PDF (1523KB)
Front. Archit. Res. ›› 2012, Vol. 1 ›› Issue (3) :253 -258. DOI: 10.1016/j.foar.2012.06.003
RESEARCH ARTICLE
RESEARCH ARTICLE
Phenomenology of rhythm in design
Author information +
History +
PDF (1523KB)

Abstract

Rhythm in design, as explored in this research, is proposed to be the result of cognitive performance generated stylistically by creators and recognized consciously by beholders. This study describes the phenomenon of rhythm; how it is created; the factors that comprise rhythm; the types of rhythms created by human cognition of repetition, and why repetition is recognized as a part of human cognition. Images of seven buildings designed by Alvar Aalto are used to demonstrate the creation and expression of rhythm in building compositions. Evidence gathered in this research explains that rhythm in design is a result of the design method consciously applied by human cognition of repetition. Rules of generating the phenomena of rhythm are also summarized. Designers could apply these rules to generate harmonious patterns through the effective usage of repetition. In sum, rhythm is ingrained in the human conscience and therefore should be a key component of design applied universally.

Keywords

Rhythm / Repetition / Phenomenology / Design cognition / Design thinking

Cite this article

Download citation ▾
Chiu-Shui Chan. Phenomenology of rhythm in design. Front. Archit. Res., 2012, 1(3): 253-258 DOI:10.1016/j.foar.2012.06.003

登录浏览全文

4963

注册一个新账户 忘记密码

References

RIGHTS & PERMISSIONS

This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

PDF (1523KB)

1678

Accesses

0

Citation

Detail

Sections
Recommended

/