The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics

Alberto Martinengo

Critical Theory ›› 2024, Vol. 8 ›› Issue (1) : 90 -98.

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Critical Theory ›› 2024, Vol. 8 ›› Issue (1) :90 -98. DOI: 10.47297/wspctWSP2515-470209.20240801
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The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics

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Abstract

Contemporary philosophical hermeneutics has its roots in the field of aesthetics. Among its authors, Gianni Vattimo is the most radical interpreter of this position. His early book, entitled Art's Claim to Truth, emphasizes this primacy of aesthetics with a particular focus on the artistic practice.The present essay reconstructs Vattimo's reading of early European avant-gardes and discusses what Art's Claim to Truth calls the ontological meaning of the artistic revolutions between the 19th and 20th centuries.

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Gianni Vattimo / Aesthetics

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Alberto Martinengo. The Origin of an Ontological Hermeneutics: Gianni Vattimo's Aesthetics. Critical Theory, 2024, 8(1): 90-98 DOI:10.47297/wspctWSP2515-470209.20240801

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References

[1]

Heidegger, Martin (2002). Off the Beaten Track. Cambridge: Cambridge University Press.

[2]

Martinengo, Alberto (2019). " Should We Renounce Hegel? From Existentialism to Hermeneutics." Tropos. Rivista diermeneutica e critica filosofica, XII (1):63-73.

[3]

Nietzsche, Friedrich (2003). Untimely Meditations. Cambridge: Cambridge University Press.

[4]

Pareyson, Luigi (1988). Estetica. Teoria della formatività. Milano: Bompiani.

[5]

Vattimo, Gianni (2010). Art's Claim to Truth. New York: Columbia University Press.

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