An In-depth Examination and Revelations on Image Objects: An Archaeology of Computer Graphics

Qian Xie , Jun Zeng

Critical Theory ›› 2024, Vol. 8 ›› Issue (2) : 44 -50.

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Critical Theory ›› 2024, Vol. 8 ›› Issue (2) :44 -50. DOI: 10.47297/wspctWSP2515-470205.20240802
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An In-depth Examination and Revelations on Image Objects: An Archaeology of Computer Graphics

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Abstract

Jacob Gaboury's scholarly work, Image Objects: The Archaeology of Computer Graphics, delves into the central theme of "objects," augmenting the historical narrative of computer graphics by conducting a meticulous archaeological investigation of five key technological objects: algorithms, computer screen, the standardization of graphical objects, object-oriented programming, and graphics processing units. The primary objective is to establish a foundational account of the origins of computer graphics and scrutinize the profound influence of its development on contemporary society. According to Gaboury, computer graphics transcends mere visual representations to become an integral aspect of computer science history, reshaping computers from mere calculative devices into interactive platforms that hold potential for the future digital milieu, actively contributing to the transformation of the physical world through various channels.

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Image Objects / Computer Graphics / Media Archaeology

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Qian Xie, Jun Zeng. An In-depth Examination and Revelations on Image Objects: An Archaeology of Computer Graphics. Critical Theory, 2024, 8(2): 44-50 DOI:10.47297/wspctWSP2515-470205.20240802

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References

[1]

Douglas Kellner, 1989. Jean Baudrillard: From Marxism to Postmodernism and Beyond. Calif.: Stanford University Press, p. 77.

[2]

Douglas Kellner, 2003. Media Spectacle. translated by Shi Anbin. Tsinghua University Press, p. 6.

[3]

Gaboury J, 2021. Image objects: An archaeology of computer graphics. The MIT Press, p.3,6,4,5,56,24,129,204.

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