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Frontiers of Literary Studies in China

Front Liter Stud Chin    2013, Vol. 7 Issue (2) : 305-318
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Allegory, the Nation, and the March of Time: An Essay on Modern Chinese Literature in Honor of Fredric Jameson
Eric Hodges()
Department of East Asian Studies, New York University, New York, NY 10003, USA
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In this essay I engage with Fredric Jameson’s theoretical works and ideas, especially his concept of national allegory, and examine their possibilities and limits for use in literary analysis of Modern Chinese Literature. In particular, I examine the themes of the nation and the passage of time in the works of Yu Dafu, Lao She, Xiao Hong, and Zhao Shuli and argue for evidence of a historical development from cyclical narrative to messianic and utopian linear time in their novels. While Yu Dafu’s “Sinking” (Chenlun) and Lao She’s Camel Xiangzi (Luotuo Xiangzi) both display a desire to break free from cyclical time and narration, the narratives fold back into themselves. In contrast, Xiao Hong’s The Field of Life and Death (Shengsi chang) mediates between two different temporal schemes and marks a transition to the linear developments prevalent in Socialist Realist novels such as Zhao Shuli’s Sanliwan Village (Sanliwan). While Jameson’s earlier works on Realism, Marxism, and the “Political Unconscious” all provide valuable insight into Modern Chinese Literature and the novels mentioned, Jameson’s engagement with Chinese authors has also opened up new ways of examining Chinese literature.

Keywords Fredric Jameson      Yu Dafu      Lao She      Xiao Hong      Zhao Shuli      messianic      utopian      time     
Corresponding Authors: Eric Hodges,   
Issue Date: 05 June 2013
 Cite this article:   
Eric Hodges. Allegory, the Nation, and the March of Time: An Essay on Modern Chinese Literature in Honor of Fredric Jameson[J]. Front Liter Stud Chin, 2013, 7(2): 305-318.
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