Ecology, Return, Transgression: Realism in Louise Erdrich’s The Round House

Liang CHEN

Intercultural Communication Studies ›› 2017, Vol. 26 ›› Issue (2) : 6

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Intercultural Communication Studies ›› 2017, Vol. 26 ›› Issue (2) :6
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Ecology, Return, Transgression: Realism in Louise Erdrich’s The Round House
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Abstract

In The Round House, Louise Erdrich applies double narrative structure and enriches it with traditional native American mythological elements. From an ecological perspective, while focusing on the transgressing plots of Joe and his parents respectively, readers can find many realistic features in the writing strategy of the novel, which has empowered the text with political quest as well as with the objective consideration of Louise Erdrich on the reconstruction of Native American cultural identity in the multiple modern cultural context.

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The Round House / Louise Erdrich / ecology / transgression

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Liang CHEN. Ecology, Return, Transgression: Realism in Louise Erdrich’s The Round House. Intercultural Communication Studies, 2017, 26 (2) : 6 DOI:

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References

[1]

Bak, Hans. (1992). Toward a Native American ‘Realism’: The Amphibius Fiction of Louise Erdrich. In Kristian Versluys (Ed.), Neorealism in contemporary American fiction. (pp. 145-170). Amsterdan—Atlanta. GA: Rodopi.

[2]

Bataille, Georges. (1986). Erotism: Death and sensuality. Trans. Mary Dalwood. San Franciso: City Lights Books.

[3]

Cai, Jun. (2013). Beyond the ecological Indian: Studies on Louise Erdrich’s novels. Beijing: China Social Sciences Publishing House.

[4]

Erdrich, Louise. (2012). The Round House. New York: HarperCollins Publishers.

[5]

Ganje, Lucy A. (2003). Native American stereotypes. In Paul Martin Lester & Susan Dente Ross (Eds.), Images that injure: Pictorical stereotypes in the media, 2nd ed. (pp. 114-120). Westport: Praeger Publishers.

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