Please wait a minute...

Frontiers of Literary Studies in China

Front Liter Stud Chin    2013, Vol. 7 Issue (2) : 159-182
research-article |
Taiwan New Cinema: A Movement of Unintended Consequences
James Udden()
Interdisciplinary Studies, Gettysburg College, Gettysburg, Pennsylvania, PA 17325, USA
Download: PDF(272 KB)   HTML
Export: BibTeX | EndNote | Reference Manager | ProCite | RefWorks

Taiwan New Cinema movement that began in the 1980s is arguably one of Taiwan’s greatest cultural breakthroughs; the movement eventually led to numerous awards for Taiwanese filmmakers at the biggest festivals, such as Venice, Berlin and Cannes. This implies that the New Cinema movement was ultimately the result of a carefully orchestrated policy on the part of the Taiwan authority. In truth, however, the New Cinema was more accidental than planned. The initial factors behind the movement were more domestic in orientation than foreign; the movement represented a makeshift attempt to save a domestic film industry that was slowly dying. The multiple awards received by Taiwanese filmmakers were thus unexpected benefits, which the authority and others were slow to recognize. Regardless of its origins, however, the New Cinema’s lasting impact is undeniable. To this day, many of the controversies first raised about the New Cinema remain core issues for Taiwan cinema.

Keywords Taiwan New Cinema movement      film festivals      film policy      cultural exchange      James Soong      Ming Ji     
Corresponding Authors: James Udden,   
Issue Date: 05 June 2013
 Cite this article:   
James Udden. Taiwan New Cinema: A Movement of Unintended Consequences[J]. Front Liter Stud Chin, 2013, 7(2): 159-182.
E-mail this article
E-mail Alert
Articles by authors
James Udden
Full text